Output compressor (applied to reverb only) side-chained by the ‘dry’ input signal useful to help sit the reverb in the mix. 6 Band SSL EQ, with 3 bands of reverb time multipliers. Early & Late Reflection types can be independently selected for example, Small Room Early Reflections, with a Large Plate Reverb Tail. Four Reverb Types: Room, Hall, Plate, and Chamber. The addition of the side-chain high-pass filter allows for reduction of the amount of low frequencies in the audio that is triggering the compressor so reduces unwanted pumping effects. The Dry/Wet mix control blends between compressed and uncompressed signal, allowing quick and easy parallel compression without using additional busses. The Dec 2018 SSL Native v6.2 software release adds two new features to the SSL Native Bus Compressor VST crack a Dry/Wet mix control and side-chain High-Pass Filter. 
“Sticks your mix like audio glue.” – That’s how we often hear the SSL Stereo Bus Compressor described, along with – “You strap it across your mix – and it sounds like a record.” We could wax lyrical about the technology – but hey, you already know how great this thing sounds – you’ve heard it on countless hit records from the last three decades.
It brings cohesion and strength to your mix without compromising clarity. It is a simple unit with a simple purpose it makes complete mixes sound bigger, with more power, punch and drive. It is the secret behind countless classic recordings. The centre section compressor from SSL’s 1980’s G Series analogue console is an audio production legend. The sound of the legendary SSL Stereo Bus Compressor.
Dynamics side-chain processing with independent side chains for compressor and expander/gateĬlassic Analogue, now Digital. “Over-Easy” soft ratio compression characteristic for smooth transitions. Switchable EQ characteristics between E Series and G Series EQ. 4-band EQ, two shelving sections and two parametric. Classic SSL console channel strip VST crack features and sound.
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